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Originally, aesthetics derives from the Greek aisthesis, meaning “perception through the senses.” It goes beyond what is merely visible, encompassing that which reveals meaning, interiority, and the very reason for something’s existence.

By reducing “aesthetics” to superficial procedures or a thin layer of appearance — whether in the body, in objects, or in environments — we neglect the fact that every form expresses a content. Form, therefore, is the language of the interior.

If we use the word only to describe what is superficial, it is our own vision that becomes limited.
Aesthetics is not confined to vanity; it represents the visible manifestation of the invisible.

At the same time, even without using the term “aesthetics,” behavior that focuses solely on the outward aspect of appearance reveals a lack of inner meaning: the greater the effort to seem something, the less substance there often is.

Therefore, if we are concerned with aesthetics, it is essential first to care for the content — because the exterior inevitably reflects the interior.

For Kant, aesthetics is not vanity: it is the experience of harmony between our perception and the form of an object — something that awakens in us a sense of fitness that does not depend on ornament or fashion.

For Schopenhauer, aesthetics is not superficial: it is precisely what frees us from the superficiality of desire and connects us to something deeper.

In essence, aesthetics is not an accessory to life but a mirror of who we are.
When reduced to the veneer of appearances, it loses its purpose; when cultivated from within, it becomes an authentic expression of meaning. Kant reminds us that true beauty is a harmony that needs no ornament, while Schopenhauer shows that aesthetic contemplation draws us away from the futility of wanting and closer to what is essential.

To care for aesthetics, therefore, is above all to care for the depth it manifests — the soul — because every truly beautiful form is born from genuine substance.
Aesthetics is not confined to looks or to the way we dress, but to everything that shapes our taste and our interactions with the world.